2024 -
/ The Window /
2016 - 2020
\ +////- \
Section 1: Biological Currencies
Section 2 (In-Process): Methodological Signifiers
/ Classifying Form /
Soft Forms
Hard Forms
Moving Forms
\ a(n)infinite(live)ness \
/ Wires + Waves / W+W /
> A Still Void
> All I See Are Lines
> Session 1: Are We Electric?
> Session 2: Death of the Author
> this is not an engima + (in-translation)
> Upon My Tongue / Ether
2012 - 2015
\ Of Simple Men \
MISC.
/ ...print(ed) /
I Studied
Not Quantifiable
Black as the Blackest Night
Amber Waves
Packs of Three
Forgotten Fields
\ ...book(ish) \
this is not an enigma + (in translation)
condemn || condemned
a central phenomena
Of Simple Men: Operation - Maintenance - Parts
Seldom Rest
Book of Specimens: Vol. 1-3
Neshotah
Soybean
The Land, The Man, The Machine
Weatherproofed
McKesson's Hysterics
/ ...(in) time /
Futile Fires
A Disremembrance of Morning
Amber Waves
Neshotah
Sorghum Paper
OXBLOOD Publishing
BIO | CV | STATEMENT | CONTACT
Home
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H. R. Buechler
artist / experimental publisher
2024 -
/ The Window /
2016 - 2020
\ +////- \
Section 1: Biological Currencies
Section 2 (In-Process): Methodological Signifiers
/ Classifying Form /
Soft Forms
Hard Forms
Moving Forms
\ a(n)infinite(live)ness \
/ Wires + Waves / W+W /
> A Still Void
> All I See Are Lines
> Session 1: Are We Electric?
> Session 2: Death of the Author
> this is not an engima + (in-translation)
> Upon My Tongue / Ether
2012 - 2015
\ Of Simple Men \
MISC.
/ ...print(ed) /
I Studied
Not Quantifiable
Black as the Blackest Night
Amber Waves
Packs of Three
Forgotten Fields
\ ...book(ish) \
this is not an enigma + (in translation)
condemn || condemned
a central phenomena
Of Simple Men: Operation - Maintenance - Parts
Seldom Rest
Book of Specimens: Vol. 1-3
Neshotah
Soybean
The Land, The Man, The Machine
Weatherproofed
McKesson's Hysterics
/ ...(in) time /
Futile Fires
A Disremembrance of Morning
Amber Waves
Neshotah
Sorghum Paper
OXBLOOD Publishing
BIO | CV | STATEMENT | CONTACT
Home
Forgotten Fields
2012 | pressure print
Forgotten Fields
2012 | pressure print
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